KRAFTY PAGE CHRONICLES · ISSUE III
The Universe That Wrapped Around Me
BOOK ONE · CHAPTER 03 OF 04
Between Two Worlds
Gassanee Thaisonthi

THE READING ROOM
The shop owner made a single, brief phone call, and less than a minute later, our photographer materialized outside the shop. He was a man of average height, heavily armoured against the elements in a wide brimmed hat featuring long, draped fabric panels designed for absolute UV protection. Despite the sweltering tropical heat, this Thai visual artist was clearly determined to shield himself from the blistering sun.
He wore a uniform vest emblazoned with the number 138 a special designation certifying him as an official, licensed photographer authorized to operate within the area of Wat Arun. Though his face was largely obscured, his dark eyes crinkled with a warm, instantly disarming friendliness. “ We must hurry,” urged the young assistant who had helped dress me, her voice tight with a sudden burst of urgency.
“The temple gates close strictly at six o’clock. It is already half-past five.” We quickened our pace, the heavy silk of my skirt whispering against my ankles. Glancing at my phone, I mentally calculated the remaining minutes. Thirty minutes would be a frantic sprint, but for someone accustomed to moving through life like me, it felt like more than enough time. By five thirty, the punishing intensity of the daytime sun had softened into retreat, and the stifling atmosphere began to give way to a cooler, merciful evening breeze.
The young photographer moved with purposeful grace, leading us through the courtyard toward the corn shaped top stupa, majestic silhouette of the Stupa. My father followed along without a single word of complaint, his face alight with quiet pride. To my surprise, the shoot felt entirely natural, free from the awkwardness I had anticipated. The photographer expertly guided us through an elegant traditional pose, even gesturing for my father to step into the frame for a series of candid, shared portraits.
Yet, despite the looming closing hour, the temple grounds remained remarkably lively, populated by a lingering crowd of visitors captivated by the twilight. As we made our ascent toward the base of the great central spire, the photographer turned to us, navigating the stone steps with practiced ease. “ The corn shaped spire of Wat Arun is profoundly sacred,” he explained, his English flowing with a striking, flawless fluency that caught me off guard.
“Its architecture is a physical manifestation of Buddhist ideology, reflecting the intricate layers of the universe according to ancient cosmological beliefs.” “ The universe?” I repeated the word softly, the syllables catching in my throat. The word carried a sudden, heavy resonance that vibrated through me. I paused, looking upward into the open, lovely sky, searching for the architecture of the infinite among the soaring porcelain encrusted spires.
My gaze drifted downward to the index finger of my right hand, where the fifteen-carat black opal rested securely. I bring the entire universe to your finger, my father ‘s voice echoed in my mind. I caught his eye in the twilight and smiled; he returned it with a tender nod. Beneath the shadow of the temple, the iridescent, shifting fires of the gemstone seemed to burn even brighter, a miniature galaxy swirling against my skin.
“ Wat Arun or the Temple of Dawn holds more than three centuries of secrets,” the photographer continued, his voice dropping to a near-reverent tone as he gestured toward the detailed porcelain mosaics. “This ancient sanctuary has endured since the seventeenth century. It is written that when King Taksin the Great sought to establish a new capital of Thonburi,” the historical text from an AI app suddenly popped up on my phone screen, and I quickly read the words.
“He travelled along the Chao Phraya River, arriving at this very sanctuary just as dawn was breaking. The temple was then called Wat Chaeng, meaning the Temple of Dawn. By the nineteenth century, its name was formally changed to Wat Arun, undergoing continuous restorations that transformed it into the majestic Stupa nowadays. It is intricately adorned with millions of fragments of glazed tiles, Benjarong porcelain, and seashells.
During that era, Siam enjoyed a flourishing maritime trade with China, leading to an influx of blue-and-white porcelain and coloured glass. Artisans painstakingly cut these trade goods into delicate shards, using them to mosaic the spires into breathtaking floral tapestries.” ” It’s so beautiful,” I murmured to myself, looking up from the screen to the real thing. “This place is just so beautiful.”
My father stepped closer, his eyes reflecting the soft, aging light of the afternoon. “You are half-Thai, after all,” he said softly, a sudden note of quiet regret in his voice. “I’m so sorry, sweetheart. I’m sorry I didn’t find the time to bring you here to visit Bangkok over all these years.” I t’s alright, Dad. I understand, I said, though the words remained safely tucked inside my heart.
You were building a life for us.
End of Chapter 3
THE COMPLETE STORY
Table of Contents
CH. 01The Universe on My FingerCH. 02Journey to the Temple of DawnCH. 03Between Two Worlds · You are hereCH. 04The Universe That Never Left
CONTRIBUTOR PROFILE
Gassanee Thaisonthi
Gassanee Thaisonthi is a writer whose work explores memory, identity, family, heritage, creativity, and personal reflection. Her story The Universe That Wrapped Around Me brings cultural memory, family bonds, imagination, and a strong sense of place together in a reflection on belonging and connection.
Her writing invites readers to consider self-discovery and the courage to create, themes also explored in her poem Am I Shining Enough to Be a Poet?
Read Gassanee’s published poetry feature and contributor profile
References and editorial credits: KVI Network contributor feature and biography; The Universe That Wrapped Around Me, original manuscript submitted by Gassanee Thaisonthi for KPC editorial consideration. Literary author: Gassanee Thaisonthi. WordPress publishing account: KVI Editorial.

Join the conversation.
Comments are reviewed before appearing publicly.